Ethiopian Kignit (Scales)

Ethiopia has a number of different scales, from three to seven notes, depending on the region. The most popular scales in the northern/central regions and in Ethiopian popular music are tizita (ትዝታ), bati (ባቲ), ambassel (አምባሰል), and anchihoye (አንቺሆዬ). These pentatonic scales are called kignit, (ቅኝት) and are named after popular songs that are sung in these particular scales.

Note that these transcriptions don’t necessarily reflect the tuning, as especially traditional music is not always equal-tempered, particularly when played on traditional instruments like the masinqo, etc.

Tizita (ትዝታ)

Tizita is perhaps the most popular kignit, which is a major pentatonic scale and is used in many different regions throughout Ethiopia.

Screen Shot 2015-07-29 at 4.49.40 PM

Tizita Minor

Tizita minor is a variation that lowers the 3rd and 6th.

Screen Shot 2015-07-29 at 4.50.24 PM

Bati (ባቲ)

The bati kignit consists of the root, 3rd, 4th, 5th, and 7th of the diatonic sale.

Screen Shot 2015-07-29 at 4.54.18 PM

Anchihoye (አንቺሆዬ)

One of the kignits that is especially unique to Ethiopia is anchihoye, which is distinctive for its lack of a perfect 5th.

Screen Shot 2015-07-29 at 4.57.04 PM

Ambassel (አምባሰል)

Last but not least, we have ambassel. Ambassel actually has the same intervals as tizita minor but uses a different tonic note.

Screen Shot 2015-07-29 at 5.02.55 PM

 

And, now, listen to these kignit in action, as demonstrated by YOD Abysinnia Cultural Band on July 12, 2015, in Addis Ababa (featuring Yahalem Zod Negussie on krar, Baynesagn Birhani on masinqo, Tewodros Bogale on washint, Zeriyun Girma on drums, and directed by Adugna Chekol):

This is a representative of only a small sampling of the most popular scales in Ethiopia from the northern and central regions. In the eastern area of Ethiopia, such as in the city of Harar, the scales sound similar to scales used in the Middle East. In the southern part, the Dirashe utilize the diatonic scale.

The late Dr. Ashenafi Kebede, an Ethiopian ethnomusicologist, was one of the early scholars to document the kignits of northern and central Ethiopia. For more information on kignit and their theory, Ezra Abate, music professor at Addis Ababa University’s Yared School of Music, wrote an excellent paper surveying music from all around Ethiopia available at the following link: Ethiopian Kignit: Analysis of the Formation and Structure of Ethiopian Scale System

*** Special thanks to Adugna Chekol and the YOD Cultural Band for their contributions!

 

 

 

Leave a Reply

Fill in your details below or click an icon to log in:

WordPress.com Logo

You are commenting using your WordPress.com account. Log Out / Change )

Twitter picture

You are commenting using your Twitter account. Log Out / Change )

Facebook photo

You are commenting using your Facebook account. Log Out / Change )

Google+ photo

You are commenting using your Google+ account. Log Out / Change )

Connecting to %s